Once upon a time,
countries were shaped like stars.
Sound was measured in
pin drops
and time had no skin.
Words were understood
by the spaces in between them
and anticipation grew
on trees.
Two voices joyfully chant the poem in perfect harmony.
They’re accompanied by a whirly-wind (one of those plastic tubes you swung over
your head as a child). There’s a small audience with you in the tiny performing
space; an audience, you’re told, made up of Birds and Constellations.
Countries Shaped Like
Stars is one of those plays where you’re aware – even in the first few
moments – that you’ve crossed some sort of threshold into a really magical
place. In an intimate venue, two actors
sing you through the sweet and tragic fairytale of Gwendolyn Magnificent and
Bartholomew Spectacular’s love, pulling out all the stops – puppetry, dance,
audience participation – to bring the audience into the world of childhood
dreams. The play was a runaway hit for Ottawa-based Mi Casa Theatre during the
2009 Winnipeg Fringe Festival. Getting a
ticket during that run meant standing in line for hours (I know, I did).
Now Countries is
returning to Winnipeg for an encore run March 14 – 17, helping the Fringe
fundraise for this coming summer’s festival. It’s part of a cross-country tour
that’s seen actors Emily Pearlman (30) and Nicolas Di Gaetano (31) trek through
Montreal, Regina, Edmonton and Whitehorse – and have a fantastic time doing so.
“The tour is awesome. It’s really great to bring it to
different communities,” says Pearlman during a phone interview to Whitehorse.
“We love doing this show because it feels like a party – we’re all hanging out
together as we create an experience for the audience.”
“Remember as a kid the first time you saw a squirrel and you
went ‘Wow! Squirrels are amazing!' Then you acclimatize and lose that sense of
wonder. My main interest is providing an opportunity for adults to feel that
childlike wonder again.”
Writing a preview/review for Countries is difficult. I’m resisting the urge to give away too
many playful moments that kept my jaw dropped when I first saw the show. The
snarling, snapping dragon fruit; Di Gaetano’s stellar mandolin playing; the
cumin-scented moustaches. I’ve said too much.
Perhaps the best way to end is this: each year at the
Winnipeg Fringe I usually see just one show that stays with me as an enduring
reminder of the joy of live theatre. This is one of those shows.
Countries Shaped Like
Stars runs Wednesday, March 14 to Saturday, March 17 at Studio 320 (70 Albert
Street). Tickets are $18 or $14 for the opening show and Saturday matinee. Get
info and tickets by heading to winnipegfringe.com
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