Showing posts with label CreComm. Show all posts
Showing posts with label CreComm. Show all posts
April 27, 2013
WAG roundup
My internship at the Winnipeg Art Gallery has wrapped up. As I mentioned in an earlier post, the WAG asked me to blog about my experience there. Here's the collected posts.
Cheers!
Interning with the Masters
Spinning on a Cultural Hub
The Right Stuff
Sign of the Times
Get the Shot
Confession
Final Thoughts
April 10, 2013
WAG the blog
I'm having a tough time knowing what to do with my evenings now that homework is a thing of the past. I've said before I have a tough time transitioning from "work mode" to "have a life mode" and it's still true. I've essentially quit acting, I've lost a lot of friends during my intense schooling, I don't really have any hobbies... what's a girl to do?
So please, what hobbies should I pick up? How should I reclaim my/a life?
And do follow my blog at the WAG if you've got a second. I'm writing about the sharp learning curve I'm climbing as a three-week intern, plus the insane exhibit they have coming up called 100 Masters. What do Rembrandt, Van Gogh, Monet, Matisse, Renoir, Tom Thomson, Emily Carr and Andy Warhol all have in common?
They're all coming to the heart of the continent, baby!
PS. This happened at work today. Squeal!
April 6, 2013
Finish line
It's true, there's still three weeks of work placement to go. But why let that interrupt a good celebration?
March 20, 2013
Creative gifts
When is the last time you had trouble finding a jaw-drop-warm-heart-high-pitch-squeaky gift for your special someone? The kind of thoughtful gift that shows you care.
The last time you had to get a present, amirite?
I don't know what kind of treat you're looking for, but I do know a wellspring of local creativity you can hit up to up your chances of finding the perfect present: my classmates. A number of second year Creative Communications students have their fruits of the labour up for sale after the independent professional project presentations. In no particular order, check out.
Impressions - A Young Professional's Survival Guide to Business Dress & Etiquette by Sydnie Payne
Have a friend heading off into the workforce with no clue how to dress for the office. Sydnie will guide them through what to wear with hardly any payne. (See what I did there? I bet you've never heard that joke before, Syd.)
Wolseley Stories
Cyclist, granola cruncher, awesome communicator and author Laina Hughes has collected tales from one of Winnipeg's most storied communities. From the amusement park that used to fill the neighbourhood to women defending an ancient tree, it's a great look into what turns a street into a home.
Penetrator: Extended Play
Hair metal didn't die. Hair metal will never die. (Guitar drops from ceiling.)
Fauves | West
Haunter lead singer Matt Williams has released a concept EP, with each song following a woman's journey to cities across western Canada. Bonus: a portion of each purchase will go to the West Central Women's Resource Centre.
Northfield: Poems for Cigarettes
Guitarist Mark Schram, bassist Steve Kesselman and poet Steve Currie weave tremendous work of pain and beauty. Warning - this music will break your heart.
Late Bloomers
Kristy Hoffman's collections of stories gathered from the trials of female adolescences was the most provocative content of the IPPPs. And she earned every bit of it. Check out the launch of her book on April 3 at McNally Robinson.
Lazer Beam Love Box
A graphic novel about a girl who can shoot lazers from between her legs. Brilliant, but what less would you expect from CreComm's Courtney Brecht (aka Coco Moloko).
Threads of Hope
Jackie Doming created a line of urban clothing (as well as a marathon of events) to raise money for the Children's Wish Foundation. Maybe you missed the concert and bake sales, but you can still grab some of her stellar clothing (I have the t-shirt, I know whence I speak).
****
There are more projects just crossing the line to the point where you can pick up you copy. Plus, many of the final products are completely free and online. Check out the IPPP blog to see them all.
Portfolio-ed
Creative Communications is rapidly wrapping and I'm pounding the pavement for work, If it interests you, surf on over to my online professional portfolio and check out what two years of shenanigans will produce.
When I look back on what I've accomplished, I'm deeply grateful — for the opportunity, for the company I've kept and for the supporting friends and family who got me in (and through) the program.
If there's something good in this work, it's all your fault.
Thank you.
PS: The site is a work in progress. Any feedback you have is appreciated.
When I look back on what I've accomplished, I'm deeply grateful — for the opportunity, for the company I've kept and for the supporting friends and family who got me in (and through) the program.
If there's something good in this work, it's all your fault.
Thank you.
PS: The site is a work in progress. Any feedback you have is appreciated.
March 16, 2013
Partner shot in the face
Tomorrow is the 1001 Donations Telethon at the Winnipeg Humane Society. I'm co-executive producing the day, so I've had a sneak peak at some of the deeply moving stories that will be on Shaw from 11am to 8pm.
Stories such as Partner's recovery from being shot in the face.
I've seen this story a few times and it still chokes me up. Producing this telethon, I thought I would come away from each story and visit to the WHS depressed. And while there have been moments of anger and darkness, I've never walked away feeling defeated thanks to the passionate staff and volunteers.
And the resiliency of animals who refuse to hold grudges.
Tune in. Make a donation if you can. Thanks.
Stories such as Partner's recovery from being shot in the face.
I've seen this story a few times and it still chokes me up. Producing this telethon, I thought I would come away from each story and visit to the WHS depressed. And while there have been moments of anger and darkness, I've never walked away feeling defeated thanks to the passionate staff and volunteers.
And the resiliency of animals who refuse to hold grudges.
Tune in. Make a donation if you can. Thanks.
March 14, 2013
Readin' Writin' and Representin'
Readin'
On a certain someone's insistence, I read five pages of fiction before going to bed the other day, rather than my usual nightcap of Twitter and blog posts. Holy glob, did I find out how much I miss reading for pleasure. Soon my beloved novels, novellas, poems and essays, soon we'll be reunited and spend the day lying in bed.
(And if you haven't read the Piano Man's Daughter, fix that situation. That Canada produced an author like Timothy Findley alone makes it a great country).
Writin'
Deadlines may gang up on me, but there's a deep deep pleasure in doing the freelance journalism/writing beat - mostly because I get to bring attention to notable things and people in my community. The recent wordsmithing includes...
Artist Jordan Miller sells work to the province
Dropping revenue prompts Winnipeg Film Group to consider relocation
Representin'
Tomorrow morning I'm giving my final report on Heartbeat at the Winnipeg Convention Centre as part of the 2013 CreComm Independent Professional Project Presentations. The first two days have been stellar and my classmates have raised the bar (curse them). I'm on at 9am. You can watch it live, since the technical gurus of are streaming it here.
February 11, 2013
Meet Winnipeg Transit's target audience
Tonight the PR mavens and masters of CreComm are buzzing as we wrap up mock briefing notes due at 8 in the a.m., sharpish. We're pretending to by City of Winnipeg communicators, advising the Winnipeg Transit on how to best explain upcoming changes to the fare collection system.
Remember: a key part of communicating effectively is understanding your target audience. Though it's possible (juuuuuuust possible) that your research will turn up the odd outlier.
Remember: a key part of communicating effectively is understanding your target audience. Though it's possible (juuuuuuust possible) that your research will turn up the odd outlier.
February 2, 2013
I need your help
![]() |
*bum not necessarily as pictured |
I need your help
On Sunday, February 10, I'm slipping into skin-tight shorts, a headband and aviator glasses. I'm cranking '80s power ballads. And I'm biking for two hours as part of the 24-hour Heart Cycle, raising funds for Manitoba's Heart & Stroke Foundation.
It's that last bit I need your help with that last bit.
PLEASE head over to my totally secure and convenient online donation page and make a donation of whatever you can. $10? $5? $20? It all helps save people's lives.
Thank you.
January 20, 2013
How to do an interview
Over the past two weeks I sat down for beverages/nosh with three titans of Winnipeg interviews: Joff Schmidt (CBC Manitoba theatre reviewer and associate producer for Definitely Not The Opera), Joanne Kelly (CTV and Shaw TV anchor, Journalism instructor at Red River College) and Drew Kozub (Breakfast Television). I sought these gurus out, climbing the proverbial mountain (actually, just sending emails) because while I've cottoned on to the basics of interviewing (ask question, record answer), it is an art I'd like to get better at.
A few hours of conversation amounted to a masterclass in interviewing. I'm struggling to absorb the wisdom imparted and work it into my radio show Heartbeat. It'll take some time to reflexively adopt their tips, of course. But I'd like to think I've taken some big steps forward lately, versus my usual shuffle.
And what tips did they have? Well, because I like you, here's a few pointers from the pros...
Joff Schmidt
- Ask the question you most want answered first. Too often interviewers ask a few soft question before getting into the actual meat of the conversation. Do your audience a favour by grabbing them with the most interesting lead question possible. Less filler, more killer.
- If you give your interview an intro, don't lean too heavily on stats. (She won this award, he's been published in all these books, etc.) Choose only the most important accomplishments and use the rest of your time to tell their life story - what matters to them, what messed them up, what they want.
- "What did you take away from that situation," is a cheap question. And the answers it gets are usually golden. Use it.
Joanne Kelly
- Get your guest to tell stories from their lives. Don't ask broad questions or wander into esoteric fields of pontificating boredom. Ask your interview to tell a story. Then use that story as a springboard to explore who your guest is. ("So that incident is when you learned to never lie..." "And that's why you followed your father's footsteps..."). Imagine starting on a tight focus with intimate detail (the story) then drawing back to a wide focus (the subject's life and world).
- Pre-interview your guests during the five minutes of microphone checks, lighting adjustment or walking into the studio. Those brief moments are your chance to find golden stories to fill your interview.
- Use physical cues when interrupt people. It's a great way to show you're engaged while nudging your guest to wrap up their thought.
- Bring the audience listening/watching at home into the conversation by talking about them ("People at home can appreciate how awkward that must have been." "I know that those listening want to know - because I want to know - how..."). Make the interview a three-way conversation.
Drew Kozub
- Don't talk about yourself. People don't care about what you think - they care about your guest (hopefully) or how your guest's story impacts their lives.
- Cover what you can in the time you have. If you're doing a brief hit, you can't do a ten minute interview; you have 90 seconds before you throw it back to weather. Keep your eye on the clock.
- Make sure your guest knows about the clock too. During your pre-interview ask, "What's the most important message you need to get across?" Focus on that.
December 31, 2012
New words for a new CreComm year
Is it just me, or did 2012 suck as far as years go?
But look at us; we're here. We're alive (we must be if we're reading this post). We made it! The obvious conclusion is that we rock. And who are we to argue with the obvious?
Here's eight new words to kill off the year. Die MMXII. Die.
Double-bouncing - working multiple radio edit suites to convert audio files simultaneously
Forgotchya - gift card or trinket purchased as a last-minute present
Industrese - hilarious communications industry gossip, deadly dull to outsiders trapped in the conversation
Zoner - erection that comes from being inspired
Burnover - rate that an organization/business loses workers due to stress
Facehole - nice enough in person, but a total jerk online
At bloggerheads - state of tension between yourself and the blog you know you should be updating
Inappostpriate - unprofessional or risky social media content that shouldn't be posted for fear of negative impressions made on future employers... this blog post, mayhaps?
HAPPY NEW YEAR!
December 15, 2012
Heartbeat To Go
My independent professional project Heartbeat is well past the halfway point. January is going to have tremendous guests and with an easier class schedule, I'm hoping to bump production quality up too.
I'm also hoping to market the show more, reaching out to the young, hip, cultural consumers of Winnipeg who are on the go and don't have time for an hour long podcast. Hence, Heartbeat To Go - the chopping up of my regular episodes into byte-sized chunks (See what I did there? It's that kind of wit which will propel me to the heights of the media landscape).
Here are some of my favourite stories from the past three months, served in e-shot glasses. Cheers!
I'm also hoping to market the show more, reaching out to the young, hip, cultural consumers of Winnipeg who are on the go and don't have time for an hour long podcast. Hence, Heartbeat To Go - the chopping up of my regular episodes into byte-sized chunks (See what I did there? It's that kind of wit which will propel me to the heights of the media landscape).
Here are some of my favourite stories from the past three months, served in e-shot glasses. Cheers!
November 21, 2012
A Creativity Wrangler
Meet Maeghan Heinrichs, a Winnipeg creative light. Dayna Robbie, Priya Tandon and I filmed this quick interview with her (and the Vantage Team in action).
And listen with care to her parting wisdom - do what you enjoy. It's a simple suggestion, but what a difference it makes when you start living it.
Thanks Maeghan!
November 3, 2012
Heartbeating
Have you ever found that life has sped up to point of detachment? That when you think about your day, your week, the past month, not only does it seem like events happened a lifetime ago, but they happened to someone else?
I'm in that season right now, it seems. And I'm deeply grateful I chose the independent professional project (IPP) for college that I did, because nothing pulls me out of the blurring race of life like a great conversation. You know the kind; the ones that slow time down as you openly, honestly connect with another person; the ones that set off thoughts in your head to the tune of "Oh my god, here is this intelligent, funny, beautiful human being who is trying to answer the big questions, just like me."
As much work as my radio show/podcast Heartbeat is (and will be), I wouldn't trade the conversations I've had for anything. They've been an anchor in a stormy three months.
I could ask you to head on over to Heartbeat's website, Twitter and Facebook to see what I'm up to (the first episode is now podcasting).
But before you do that, grab someone (a friend, an acquaintance, someone you barely know), clear an hour of your time and have an open, honest, emotionally available conversation. Tell them something you've never told anyone and ask questions that leap over barriers of polite manners and awkwardness.
Trust me - it's worth it.
October 28, 2012
Ma mere
Photography is easy when the subject is beautiful - and sassy!
Presenting Anne TenBruggencate. Together we should do well on the "editorial photo shoot" assignment. If not, I'm taking the fall.
Presenting Anne TenBruggencate. Together we should do well on the "editorial photo shoot" assignment. If not, I'm taking the fall.
October 6, 2012
Giving a speech? Be sure to stretch first...
A professional athlete (or even a semi-knowledgeable amateur) warms up before sending their body out on the track, into the ring or up into the air. It's common sense; asking your body to deliver a great performance without warming it up would be foolish, right?
Well, when you're speaking in front of an audience, you're asking a special group of muscles and body parts to deliver great performances: your diaphragm, vocal chords, throat, face and tongue. Most people don't take the time to warm up these parts before a speech, however. I suspect due to a belief that, "It's just public speaking, anyone can talk."
True. And anyone can run. But marathoners still stretch before jogging.
Next time you know you're going to speak in front of a crowd, the office team or your boss, take 15 minutes to run through the following warm ups and see if it makes a difference - if you stumble less, if you're more expressive, if your voice doesn't crack. You might be impressed by the improvements a good stretch can bring.
The tongue is a muscle like any other, so it needs to stretch before doing some heavy lifting. Before and after each of the following exercises, shake all the tension out of your tongue by sticking it out of your mouth and blowing a great, big raspberry (it's the mature adult's chance to rip a really great fart).
Tip of the tongue: Stick the tip of your tongue slightly out of your mouth and then slap it one corner of your mouth to the other in a horizontal motion. Do this until the tip of your tongue feels slightly tired. Relax, then do the same thing but up and down, moving from the top lip to the bottom. (Try to do this without moving your chin, so just the tongue is doing the work. You can put a fingertip on the point of your chin to help remind you not to involve your jaw).
Middle of the tongue: Say "Yah!" Now five times in a row say, "Yah-yah-yah-yah-yah!" Now say that again, but don't breathe out, so your tongue makes the motion but you don't make any sound. Feel how the middle of your tongue is getting a work out? (Again, try to do this without moving your chin).
Back of the tongue: Say "Hung-HAY!" Now do that five times in a row, then do it again without any sound, feeling how you're drawing the back of your tongue up into the roof of your mouth. Go until your tongue feels tired, then blow the tension away.
Now let your tongue go crazy, sticking it out, rolling it back, making noise like any child knows how to make. End with a great big raspberry that can be heard out in the hallway.
The lips are also muscles and crucial to forming sound. Again, do the exercises until your lips feel tired, then blow the tension away in your best imitation of a horse.
Kiss-smile: Pout your lips out as far as they can go, then stretch your lips into the biggest smile you can make. Go rapidly back and forth until your lips get tired, then relax.
Bottom lip drop: Place the tip of your finger just under your lower lip. Now use your lower lip to push against your finger. Don't move your jaw, don't move anything except your lower lip. When you can feel the muscles that you're isolating, move your finger away and keep dropping your lower lip.
Upper lip sneers: Like the previous exercise, place your finger on your upper lip, then use only your upper lip to move it up. When you take your finger away, it'll look like you're doing mini-sneers, revealing your two front teeth. (For this exercise, try to not wrinkle your brow or involve any other face muscles - just the upper lip).
Peanut butter cleanup: Keep your lips together and send your tongue for a trip around the front of your teeth, imagining that cleaning up peanut butter. Do a couple full circles in a clockwise direction, then go counter-clockwise.
And end it all by blowing all the air in your lungs out through your lips.
The diaphram is the big gut muscle that controls the lungs and should be the main focus of your breathing. Many North Americans work their shoulders and their chests too much when they breath; you see this especially among "valley girl" speakers, who talk until they run out of air, then rapidly draw in a breath with a sharp gasp, sending their shoulders flying up.
That kind of breathing adds a lot of tension to your shoulders and neck. It also doesn't draw the deepest (and quietest) breath you can, so you'll spend your speech struggling for air, getting tenser as you fight to keep going.
Breathing from the belly: Place your thumb on your belly button. Now place the palm of your hand underneath your thumb on your belly. Take a breath by pushing your belly against your hand and feel how the air gets drawn into your lungs. Now breathe out and let your hand ride your belly down. Keep breathing this way for 30 seconds, taking deep, full breaths of air. (Your shoulders shouldn't be moving when you're breathing this way - not that you're holding them tightly in place, but they shouldn't be rising and falling like the sea)
(Note: If you doubt how much better this style of breathing is, switch to just moving your shoulders and your chest when you draw in air. See how shallow your breath is by comparison?)
The vocal chords are not muscles, but flaps of tissue that can still be warmed up to give you full access to the range of sounds you can make.
The scales: There are a slew of voice warm up videos on YouTube (with the usual range in quality) but I'll point you to this quick exercise. Sing "la" with each of the notes on this scale, starting at the lower end your scale and stopping when it goes too high for you. You don't have to sing very loudly, but do work your diaphragm enough that your throat starts to feel warm by the end of the run through.
Sighs: If your voice box is feeling tight, relax it by doing a few sighs with a nice "Ahhhhh" that starts on a high note and ends on a low note. Don't push hard with your breath - your not singing - you're just letting out a full body sigh.
The whole team needs to work together for the last few exercises, pulling all the elements together.
Give yourself a shake: Put your hands together and interlace your fingers. Now raise your hands to head height and start shaking them forwards and backwards, so the whole top of your body shakes. Let your neck go loose, shaking out the tension. Let your jaw go loose so your face, lips and tongue can shake out their tension too. (Make sure to keep your tongue in your mouth or you might give yourself a bite.)
A stream of water: Breathing from the diaphragm, start humming - just a nice, constant "Mmmmmm." Feel the buzzing on your lips. Now keep that buzzing going but open your mouth, so your humming becomes an extended "Mmaaaaaaaa." Take another deep breath and this time, as you say "Mmaaaaaa," imagine the sound coming out of your mouth like a stream of water, hitting the back of the room your standing in. (Sometimes it helps to point with your arm to imagine the jet stream.) Now do the same exercise, but choose a line from your speech. Keep the buzzing going on your lips and imagine the words streaming out of you, hitting the back wall.
Tongue twisters: There are a ton of tongue twisters that work different part of your mouth. Some will be easy for you and some will be hard depending on how your mouth is set up. Here's an online resource listing a bunch. Try saying them five times fast on the same breath. Try over enunciating - something you won't do when you say your actual speech, but this is just warming up. And have fun with them! Play around, try emphasizing different words and don't beat yourself up if you trip on a word or two; the point isn't to be perfect, it's to be fully engaged with what you're speaking.
******
This is only a quick warm up routine and there are many more exercises you can find online. Find the ones that work best for you and develop your own routine. A personalized warm up can be part of your mental prep too, just like an athlete listening to a favourite song before game time. Routines are proven to calm nerves and help people get comfortable in the space they're in.
As a final bit of advice that someone else once gave to me: everyone in your audience is cheering for you. No one wants to see you do poorly, they are all rooting for you to give the best speech you can. Everyone is on your side. So warm up, smile, have fun and go for it.
Well, when you're speaking in front of an audience, you're asking a special group of muscles and body parts to deliver great performances: your diaphragm, vocal chords, throat, face and tongue. Most people don't take the time to warm up these parts before a speech, however. I suspect due to a belief that, "It's just public speaking, anyone can talk."
True. And anyone can run. But marathoners still stretch before jogging.
Next time you know you're going to speak in front of a crowd, the office team or your boss, take 15 minutes to run through the following warm ups and see if it makes a difference - if you stumble less, if you're more expressive, if your voice doesn't crack. You might be impressed by the improvements a good stretch can bring.
The tongue is a muscle like any other, so it needs to stretch before doing some heavy lifting. Before and after each of the following exercises, shake all the tension out of your tongue by sticking it out of your mouth and blowing a great, big raspberry (it's the mature adult's chance to rip a really great fart).
Tip of the tongue: Stick the tip of your tongue slightly out of your mouth and then slap it one corner of your mouth to the other in a horizontal motion. Do this until the tip of your tongue feels slightly tired. Relax, then do the same thing but up and down, moving from the top lip to the bottom. (Try to do this without moving your chin, so just the tongue is doing the work. You can put a fingertip on the point of your chin to help remind you not to involve your jaw).
Middle of the tongue: Say "Yah!" Now five times in a row say, "Yah-yah-yah-yah-yah!" Now say that again, but don't breathe out, so your tongue makes the motion but you don't make any sound. Feel how the middle of your tongue is getting a work out? (Again, try to do this without moving your chin).
Back of the tongue: Say "Hung-HAY!" Now do that five times in a row, then do it again without any sound, feeling how you're drawing the back of your tongue up into the roof of your mouth. Go until your tongue feels tired, then blow the tension away.
Now let your tongue go crazy, sticking it out, rolling it back, making noise like any child knows how to make. End with a great big raspberry that can be heard out in the hallway.
The lips are also muscles and crucial to forming sound. Again, do the exercises until your lips feel tired, then blow the tension away in your best imitation of a horse.
Kiss-smile: Pout your lips out as far as they can go, then stretch your lips into the biggest smile you can make. Go rapidly back and forth until your lips get tired, then relax.
Bottom lip drop: Place the tip of your finger just under your lower lip. Now use your lower lip to push against your finger. Don't move your jaw, don't move anything except your lower lip. When you can feel the muscles that you're isolating, move your finger away and keep dropping your lower lip.
Upper lip sneers: Like the previous exercise, place your finger on your upper lip, then use only your upper lip to move it up. When you take your finger away, it'll look like you're doing mini-sneers, revealing your two front teeth. (For this exercise, try to not wrinkle your brow or involve any other face muscles - just the upper lip).
Peanut butter cleanup: Keep your lips together and send your tongue for a trip around the front of your teeth, imagining that cleaning up peanut butter. Do a couple full circles in a clockwise direction, then go counter-clockwise.
And end it all by blowing all the air in your lungs out through your lips.
The diaphram is the big gut muscle that controls the lungs and should be the main focus of your breathing. Many North Americans work their shoulders and their chests too much when they breath; you see this especially among "valley girl" speakers, who talk until they run out of air, then rapidly draw in a breath with a sharp gasp, sending their shoulders flying up.
That kind of breathing adds a lot of tension to your shoulders and neck. It also doesn't draw the deepest (and quietest) breath you can, so you'll spend your speech struggling for air, getting tenser as you fight to keep going.
Breathing from the belly: Place your thumb on your belly button. Now place the palm of your hand underneath your thumb on your belly. Take a breath by pushing your belly against your hand and feel how the air gets drawn into your lungs. Now breathe out and let your hand ride your belly down. Keep breathing this way for 30 seconds, taking deep, full breaths of air. (Your shoulders shouldn't be moving when you're breathing this way - not that you're holding them tightly in place, but they shouldn't be rising and falling like the sea)
(Note: If you doubt how much better this style of breathing is, switch to just moving your shoulders and your chest when you draw in air. See how shallow your breath is by comparison?)
The vocal chords are not muscles, but flaps of tissue that can still be warmed up to give you full access to the range of sounds you can make.
The scales: There are a slew of voice warm up videos on YouTube (with the usual range in quality) but I'll point you to this quick exercise. Sing "la" with each of the notes on this scale, starting at the lower end your scale and stopping when it goes too high for you. You don't have to sing very loudly, but do work your diaphragm enough that your throat starts to feel warm by the end of the run through.
Sighs: If your voice box is feeling tight, relax it by doing a few sighs with a nice "Ahhhhh" that starts on a high note and ends on a low note. Don't push hard with your breath - your not singing - you're just letting out a full body sigh.
The whole team needs to work together for the last few exercises, pulling all the elements together.
Give yourself a shake: Put your hands together and interlace your fingers. Now raise your hands to head height and start shaking them forwards and backwards, so the whole top of your body shakes. Let your neck go loose, shaking out the tension. Let your jaw go loose so your face, lips and tongue can shake out their tension too. (Make sure to keep your tongue in your mouth or you might give yourself a bite.)
A stream of water: Breathing from the diaphragm, start humming - just a nice, constant "Mmmmmm." Feel the buzzing on your lips. Now keep that buzzing going but open your mouth, so your humming becomes an extended "Mmaaaaaaaa." Take another deep breath and this time, as you say "Mmaaaaaa," imagine the sound coming out of your mouth like a stream of water, hitting the back of the room your standing in. (Sometimes it helps to point with your arm to imagine the jet stream.) Now do the same exercise, but choose a line from your speech. Keep the buzzing going on your lips and imagine the words streaming out of you, hitting the back wall.
Tongue twisters: There are a ton of tongue twisters that work different part of your mouth. Some will be easy for you and some will be hard depending on how your mouth is set up. Here's an online resource listing a bunch. Try saying them five times fast on the same breath. Try over enunciating - something you won't do when you say your actual speech, but this is just warming up. And have fun with them! Play around, try emphasizing different words and don't beat yourself up if you trip on a word or two; the point isn't to be perfect, it's to be fully engaged with what you're speaking.
******
This is only a quick warm up routine and there are many more exercises you can find online. Find the ones that work best for you and develop your own routine. A personalized warm up can be part of your mental prep too, just like an athlete listening to a favourite song before game time. Routines are proven to calm nerves and help people get comfortable in the space they're in.
As a final bit of advice that someone else once gave to me: everyone in your audience is cheering for you. No one wants to see you do poorly, they are all rooting for you to give the best speech you can. Everyone is on your side. So warm up, smile, have fun and go for it.
September 28, 2012
A pleasant distraction (aka Heartbeat test trailer)
There are three major writing projects on the go this week: a marketing brand analysis, a case for support for a non-profit and a public relations strategy for a recently launched online radio station. And while I'm interested in each and every one of those projects, I find I can only write continuously for so many hours before my brain and my output devolves into mush.
I've found a pleasant distraction, however, that's allows me to take a quick creative jog around the block before returning to word crunches. It's my independent professional project Heartbeat, an arts-focused interview show that launches this November on Red River Radio. True, when November arrives and the dangling Sword of Deadlines quivers just over my head, Heartbeat may become less a pleasant distraction then a fountain of problems. But for now, I'm tooling around, there aren't consequences and the results please me.
Like this video trailer. You like? Does this mini-ad catch your fancy? Or not? Your honest feedback would be appreciated as well as invaluable.
Happy weekend!
I've found a pleasant distraction, however, that's allows me to take a quick creative jog around the block before returning to word crunches. It's my independent professional project Heartbeat, an arts-focused interview show that launches this November on Red River Radio. True, when November arrives and the dangling Sword of Deadlines quivers just over my head, Heartbeat may become less a pleasant distraction then a fountain of problems. But for now, I'm tooling around, there aren't consequences and the results please me.
Like this video trailer. You like? Does this mini-ad catch your fancy? Or not? Your honest feedback would be appreciated as well as invaluable.
Happy weekend!
September 14, 2012
My hAPPy place
Last night, a machine ate my tape, possibly destroying footage I won't be able to replace. My voice recorder failed to capture an interview, leaving me to struggle and scribble quotes from memory. My appointment for this morning cancelled, so I'll have to push plans back.
And I'm feeling groovy.
RunKeeper
I'm a casual jogger with hopes of running a marathon one day. So... just like every other casual jogger. RunKeeper might make that happen, though. It's my coach, trainer, cheerleader and one of a host of running apps (do you have one you like?). Using GPS, it tracks my running, calling out directions if I'm using a preprogrammed route, letting me know how many kilometres I've gone, mapping my pace.
But it goes further, connecting me with other local runners so I can encourage them (and they can encourage me) when we complete activities. The Facebook integration is seamless. And it's free, unless you'd like to pay to take one of the classes devised by RunKeeper instructors (I haven't tried one yet, though I might in the new year as local marathons approach).
If you check it out, add me to your "Street Team" and we can go jogging together, even if we're miles apart.
Instagram
Right, right — the app that makes everyone think they're a professional photographer. Why would you jump on the bandwagon of a sure-to-fade fad?
First, Instagram doesn't seem to be fading, growing at the rate of a user a second in the spring of 2012.
And while it certainly isn't guaranteed to make you a better photographer (though the practice it promotes can't hurt), it does offer you a chance to see the world around you in a new light — literally, with the use of filters. Three months after joining Instagram, I've found more beautiful sights in Winnipeg than I did after 12 years of living here.
A large part of mindfulness is slowing down to appreciate the wonder and beauty of the world around us. Instagram has helped me do that with a couple of clicks.
Are you on Instagram? Follow me (mtenbruggencate) and I'll follow you back.
And I'm feeling groovy.
If this series of unfortunate events had happened on the same day last year, I don't think I would've held up so well. But the past few months have been filled with lessons of keeping perspective and mindfulness. I'm not claiming to be above stress or conflict (which may not even be a worthwhile goal), however, a number of activities have brought me to a place where I can maintain some amount of calm.
Perhaps it's no surprise, as I am a creative communications student, that these activities come with apps? Where once a guru, trainer or mentor guided you on a quest of personal growth, mobile applications now make it possible to carry around a pocket-sized coach who will encourage you to keep a level head.
Here are some of the apps (not miracle cure-alls) helping me find balance these days.
Perhaps it's no surprise, as I am a creative communications student, that these activities come with apps? Where once a guru, trainer or mentor guided you on a quest of personal growth, mobile applications now make it possible to carry around a pocket-sized coach who will encourage you to keep a level head.
Here are some of the apps (not miracle cure-alls) helping me find balance these days.
RunKeeper
I'm a casual jogger with hopes of running a marathon one day. So... just like every other casual jogger. RunKeeper might make that happen, though. It's my coach, trainer, cheerleader and one of a host of running apps (do you have one you like?). Using GPS, it tracks my running, calling out directions if I'm using a preprogrammed route, letting me know how many kilometres I've gone, mapping my pace.
But it goes further, connecting me with other local runners so I can encourage them (and they can encourage me) when we complete activities. The Facebook integration is seamless. And it's free, unless you'd like to pay to take one of the classes devised by RunKeeper instructors (I haven't tried one yet, though I might in the new year as local marathons approach).
If you check it out, add me to your "Street Team" and we can go jogging together, even if we're miles apart.
Overdrive
This is the app used by the Winnipeg Public Library to download it's ebook collection - the rapidly growing future of libraries. By logging in to your online account, you can view the available titles and create a wishlist. Anytime a book/audiobook you want to enjoy becomes available, you download it and it's yours for a set number of days. No travelling to the library, no late fees, no problems.
I'd like to recommend Wherever you go, there you are by John Kabat-Zin et al. It's a discussion on mindfulness, as well as exercises to help you build meditation and awareness of the beauty of life into your daily routine. Ever take seven minutes to eat a raisin?
Are there any ebooks on Overdrive you'd recommend? I'm busy these days, but that's where the wishlist comes in handy.
This is the app used by the Winnipeg Public Library to download it's ebook collection - the rapidly growing future of libraries. By logging in to your online account, you can view the available titles and create a wishlist. Anytime a book/audiobook you want to enjoy becomes available, you download it and it's yours for a set number of days. No travelling to the library, no late fees, no problems.
I'd like to recommend Wherever you go, there you are by John Kabat-Zin et al. It's a discussion on mindfulness, as well as exercises to help you build meditation and awareness of the beauty of life into your daily routine. Ever take seven minutes to eat a raisin?
Are there any ebooks on Overdrive you'd recommend? I'm busy these days, but that's where the wishlist comes in handy.
Right, right — the app that makes everyone think they're a professional photographer. Why would you jump on the bandwagon of a sure-to-fade fad?
First, Instagram doesn't seem to be fading, growing at the rate of a user a second in the spring of 2012.
And while it certainly isn't guaranteed to make you a better photographer (though the practice it promotes can't hurt), it does offer you a chance to see the world around you in a new light — literally, with the use of filters. Three months after joining Instagram, I've found more beautiful sights in Winnipeg than I did after 12 years of living here.
A large part of mindfulness is slowing down to appreciate the wonder and beauty of the world around us. Instagram has helped me do that with a couple of clicks.
Are you on Instagram? Follow me (mtenbruggencate) and I'll follow you back.
September 7, 2012
Reflections on the Newsroom
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No, not this newsroom... |
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THIS newsroom. |
This summer I peeked behind the curtain of the great and powerful Winnipeg Free Press, working as a copy editor on the night shift (editing the "news" segments of the paper, as opposed to sports and arts). Now it's autumn and I've returned to school, it's time to talk smack about my former employer, right?
Wrong - I'll leave that to the buzzing horde of online commentors who live to criticize (abide to deride, remain to disdain...).
Because I think the Free Press usually does a pretty good job covering the many, many events shaking up Winnipeg and/or Manitoba. Do they miss sometimes? Widely. They'll admit they do. But they regularly are the leading (if not the only) coverage of breaking news, political subterfuge and artistic events.
So the following is not a townsfolk-with-a-pitchfork-style rant. It's just three nuggets I picked up that might come in handy if you ever need to interact with a newsroom yourself.
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Downtown, viewed from the distant offices of the Winnipeg Free Press. |
There may be moments when a reporter is waiting to hear back from a contact, an editor is waiting to hear back from a reporter, a copy editor is waiting to get a page from the editor (etc). But in the meantime, everyone is following up other leads, scanning the competition's tweets, reading the wire. The newsroom is always busy - and it switches to a rush in the evening as the print deadline looms (10:50 PM for the Free Press). It gets super quiet in the newsroom as everyone races the clock to put in the best performance possible.
Moral: Don't waste the newsroom's time. I witnessed a PR person call at 10 one night to deliver some not very important news. As soon as he was hung up on, he was cussed out for calling near deadline. On the other side of the coin, I've heard editors muttering under their breath, "Please be writing the story on the road, please be writing the story on the road," as they wait for a photographer to drop a reporter back at the office. (They were often disappointed.)
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A newsroom, sans power, is a tense room. Happily, the sun was still up. |
Newspaper people are stereotyped as cranky, cynical, angry, or just bitter. And it's true.
OK, OK, it's not totally true. But when a person wades through murders, thefts, stabbings, beatings, dismemberments (which happened a LOT this summer - eep), abuse and cataclysms on a daily basis for their work, it takes a toll. For me, the most depressing aspect of the newsroom was the police scanner. Every media outlet is equipped with a scanner to listen for breaking emergencies; it's kept on all night, at a high volume. The most frequent call? Young female with lacerations to wrists.
Moral: Cut news people some slack if they're grumpy; you don't know what story they just covered.
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Hey look - it's tomorrow's newspaper, today! |
News people got into the business because they're junkies - they love a good story, they love a scoop, they love uncovering the truth and sharing it with the world. Even on the busiest day, a really great, well written story would cause colleagues to gather around a computer and quickly read. If you've got a story - as a journalist or a PR professional - with emotional impact that affects a wide audience, it will get picked up for love of craft alone.
But that isn't the only factor. The truth is, many days of the week the Free Press looks for content to fill its pages. The wire services (Canadian Press and Associated Press being the biggies) have been noticeably cutting back on staff and resources - they're no longer a reliable source for "filler" stories. Local reporters are being trimmed down to keep costs low, while the advertising department is trying to keep the page count up to maintain salable space. The result is any night there isn't a murder, fire, high-profile legal case or emergency, the newsroom is hungry for a good story.
Moral: If you have a story to pitch, especially one that isn't time sensitive, you can probably get it in the paper. Read the stories that do get picked up - the ones with legs, the ones with impact - and see if your story can be framed the same way. Controversy can be a good thing to include (so long as it doesn't hurt your organization deeply, of course). Struggle, sacrifice and resilience in the face of opposition - throw in a cute dog (if you can) and you're the front page.
August 8, 2012
Our Winnipeg secret
I've finally been able to write an article for the Winnipeg Free Press during my internship there. The following appeared in the Sunday, August 5th edition, with a great photo by Ruth Bonneville.
I know the Freep is looking for other Our Winnipeg stories (looking at you, fellow CreComm students). Do you have a nook in the city you cherish? Drop me a line and I'll try to connect you with the publishing powers that be.
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Photo by Ruth Bonneville. |
The flip side of our bizarre city
'Lovely little park' shows what Winnipeg could be
Mel and I aren't from Winnipeg. She's originally from southwestern Manitoba and I'm a base brat from everywhere and nowhere. When we moved here about 12 years ago, we had the same thought: What a bizarre city...
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